NOTE: Carol Marine is coming to Aurora this December to teach a 5-day workshop. Early registration discount available now. Click here to register.
After taking a really close look at some very good photos, I think I have a good plan for this. Thayer's working method was very interesting. He often spent years working on a painting (not gonna do that) and mixed dirt into the paint (not gonna do that either). But the main goal was to let everything support the face. The expression on the face was so important everything else was suppressed.
This is the first opaque layer. You can see that in the bodice I'm building up a rough, thick layer of paint for the light areas. But overall, his modeling has a sense of brevity to it. Only what is necessary is done. Overmodeling those wings, for instance, would detract from her face. So they are gorgeous, solid things, but only as much as they have to be.
Normally I would start with a series of transparent layers. Thayer appears to paint opaquely, with transparent glazes used to add accents in the final stages. Whew - that takes some doing for me, but I think it's good for my soul to give it a try. Alse he's got some very sharp edges in places where I wouldn't, even reinforcing those edges at the end. Well, heck, I'll try that too.
Am having a blast. Will continue next week. Thayer also went pitifully nutty. This I will attempt to avoid.
Did you enjoy this post? Subscribe in a reader Or, you can Subscribe to Art Studio Secrets by Email